Stress 1995–2000

日期

1995 1996 1997 1998 1999 2000

25 期刊

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1995 #1

1996 #2

1996 #3

1996 #4

1996 #5

1997 #10

1997 #6

1997 #7

1997 #8

1997 #9

1998 #11

1998 #12

1998 #13

1998 #14

1998 #15

1998 #16

1999 #17

1999 #18

1999 #19

1999 #20

1999 #21

1999 #22

1999 #23

2000 #24

2000 #25

1995 期刊 1

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68 页面

1996 期刊 2

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68 页面

1996 期刊 3

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84 页面

1996 期刊 4

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100 页面

1996 期刊 5

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100 页面

1997 期刊 10

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102 页面

1997 期刊 6

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88 页面

1997 期刊 7

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92 页面

1997 期刊 8

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92 页面

1997 期刊 9

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92 页面

1998 期刊 11

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106 页面

1998 期刊 12

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108 页面

1998 期刊 13

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90 页面

1998 期刊 14

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106 页面

1998 期刊 15

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80 页面

1998 期刊 16

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102 页面

1999 期刊 17

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102 页面

1999 期刊 18

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100 页面

1999 期刊 19

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84 页面

1999 期刊 20

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100 页面

1999 期刊 21

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100 页面

1999 期刊 22

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100 页面

1999 期刊 23

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100 页面

2000 期刊 24

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100 页面

2000 期刊 25

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100 页面

关于本刊

期刊:

25

已发布:

1995–2000

出版商:

Stress Publishing Inc.

位置:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.

关于本刊

期刊:

25

已发布:

1995–2000

出版商:

Stress Publishing Inc.

位置:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.