Stress 1995–2000

Date

1995 1996 1997 1998 1999 2000

25 edizioni

Salta 5 edizioni

Vai all'anno

1995 #1

1996 #2

1996 #3

1996 #4

1996 #5

1997 #10

1997 #6

1997 #7

1997 #8

1997 #9

1998 #11

1998 #12

1998 #13

1998 #14

1998 #15

1998 #16

1999 #17

1999 #18

1999 #19

1999 #20

1999 #21

1999 #22

1999 #23

2000 #24

2000 #25

1995 Edizione 1

1996 Edizione 2

1996 Edizione 3

1996 Edizione 4

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100 pagine

1996 Edizione 5

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100 pagine

1997 Edizione 10

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102 pagine

1997 Edizione 6

1997 Edizione 7

1997 Edizione 8

1997 Edizione 9

1998 Edizione 11

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106 pagine

1998 Edizione 12

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108 pagine

1998 Edizione 13

1998 Edizione 14

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106 pagine

1998 Edizione 15

1998 Edizione 16

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102 pagine

1999 Edizione 17

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102 pagine

1999 Edizione 18

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100 pagine

1999 Edizione 19

1999 Edizione 20

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100 pagine

1999 Edizione 21

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100 pagine

1999 Edizione 22

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100 pagine

1999 Edizione 23

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100 pagine

2000 Edizione 24

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100 pagine

2000 Edizione 25

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100 pagine

Informazioni su questa pubblicazione

Edizioni:

25

Pubblicato:

1995–2000

Editore:

Stress Publishing Inc.

Posizione:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.

Informazioni su questa pubblicazione

Edizioni:

25

Pubblicato:

1995–2000

Editore:

Stress Publishing Inc.

Posizione:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.