Stress 1995–2000

Fechas

1995 1996 1997 1998 1999 2000

25 ediciones

Saltar 5 ediciones

Ir al año

1995 #1

1996 #2

1996 #3

1996 #4

1996 #5

1997 #10

1997 #6

1997 #7

1997 #8

1997 #9

1998 #11

1998 #12

1998 #13

1998 #14

1998 #15

1998 #16

1999 #17

1999 #18

1999 #19

1999 #20

1999 #21

1999 #22

1999 #23

2000 #24

2000 #25

1995 Edición 1

Ver edición

68 páginas

1996 Edición 2

Ver edición

68 páginas

1996 Edición 3

Ver edición

84 páginas

1996 Edición 4

Ver edición

100 páginas

1996 Edición 5

Ver edición

100 páginas

1997 Edición 10

Ver edición

102 páginas

1997 Edición 6

Ver edición

88 páginas

1997 Edición 7

Ver edición

92 páginas

1997 Edición 8

Ver edición

92 páginas

1997 Edición 9

Ver edición

92 páginas

1998 Edición 11

Ver edición

106 páginas

1998 Edición 12

Ver edición

108 páginas

1998 Edición 13

Ver edición

90 páginas

1998 Edición 14

Ver edición

106 páginas

1998 Edición 15

Ver edición

80 páginas

1998 Edición 16

Ver edición

102 páginas

1999 Edición 17

Ver edición

102 páginas

1999 Edición 18

Ver edición

100 páginas

1999 Edición 19

Ver edición

84 páginas

1999 Edición 20

Ver edición

100 páginas

1999 Edición 21

Ver edición

100 páginas

1999 Edición 22

Ver edición

100 páginas

1999 Edición 23

Ver edición

100 páginas

2000 Edición 24

Ver edición

100 páginas

2000 Edición 25

Ver edición

100 páginas

Acerca de esta publicación

Ediciones:

25

Publicado:

1995–2000

Editorial:

Stress Publishing Inc.

Ubicación:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.

Acerca de esta publicación

Ediciones:

25

Publicado:

1995–2000

Editorial:

Stress Publishing Inc.

Ubicación:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.