Stress 1995–2000

Dates

1995 1996 1997 1998 1999 2000

25 issues

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1995 #1

1996 #2

1996 #3

1996 #4

1996 #5

1997 #10

1997 #6

1997 #7

1997 #8

1997 #9

1998 #11

1998 #12

1998 #13

1998 #14

1998 #15

1998 #16

1999 #17

1999 #18

1999 #19

1999 #20

1999 #21

1999 #22

1999 #23

2000 #24

2000 #25

1995 Issue 1

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68 pages

1996 Issue 2

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68 pages

1996 Issue 3

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84 pages

1996 Issue 4

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100 pages

1996 Issue 5

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100 pages

1997 Issue 10

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102 pages

1997 Issue 6

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88 pages

1997 Issue 7

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92 pages

1997 Issue 8

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92 pages

1997 Issue 9

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92 pages

1998 Issue 11

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106 pages

1998 Issue 12

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108 pages

1998 Issue 13

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90 pages

1998 Issue 14

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106 pages

1998 Issue 15

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80 pages

1998 Issue 16

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102 pages

1999 Issue 17

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102 pages

1999 Issue 18

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100 pages

1999 Issue 19

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84 pages

1999 Issue 20

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100 pages

1999 Issue 21

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100 pages

1999 Issue 22

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100 pages

1999 Issue 23

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100 pages

2000 Issue 24

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100 pages

2000 Issue 25

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100 pages

About this Publication

Issues:

25

Published:

1995–2000

Publisher:

Stress Publishing Inc.

Location:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.

About this Publication

Issues:

25

Published:

1995–2000

Publisher:

Stress Publishing Inc.

Location:

New York, NY United States
The magazine Stress offered an insiders’ look at the underground hip-hop culture of New York City, starting from the heart of the South Bronx—the birthplace of the genre and one of the places with the highest crime rate in the city. With a focus on the themes often overlooked by mainstream media, such as graffiti, police brutality, guns, poverty, and the realities of urban life, Stress addressed hip hop enthusiasts and marginalized voices of Generation X. From 1995 to 2000, the 25 issues featured interviews with legends like Raekwon, Jay Z, O.C., Ghostface Killah, and Rakim, capturing the essence of hip hop's golden era. The glossy pages showcase a diverse range of artists from various ethnic backgrounds—Blacks, Latinos, Asians, and whites—bringing album reviews, interviews, movie reviews, and DJ top ten lists. Stress was edited by Alan KET Maridueña, activist, graffiti artist, and co-founder of the Museum of Graffiti in Wynwood, and Jessica Green, a film curator and independent film impact producer. In celebration of Stress' second anniversary, issue 10 provided an in-depth exploration of the New York City hip hop scene in 1997, a year of reinvention following the tragic losses of Tupac and The Notorious B.I.G. This issue highlighted the resurgence of the culture with artists like The Killer Bees and included rare insights from figures like Brucie B and Prince Paul. Stress had a strongly growing circulation that went from 10,000 to 100,000 copies.