ND 1983–1999
Dates
1983
1985
1986
1988
1989
1991
1992
1994
1995
1999
18 issues
Jump 5 issues
Go to year
1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 Issue 2
View Issue
24 pages
1984 Issue 3
View Issue
36 pages
1985 Issue 4
View Issue
36 pages
1985 Issue 5
View Issue
32 pages
1986 Issue 6
View Issue
32 pages
1987 Issue 8
View Issue
44 pages
1987 Issue 9
View Issue
44 pages
1988 Issue 10
View Issue
52 pages
1989 Issue 12
View Issue
48 pages
1990 Issue 13
View Issue
44 pages
1991 Issue 14
View Issue
44 pages
1991 Issue 15
View Issue
48 pages
1992 Issue 16
View Issue
66 pages
1993 Issue 17
View Issue
76 pages
1994 Issue 18
View Issue
76 pages
1995 Issue 19
View Issue
76 pages
1997 Issue 20
View Issue
116 pages
1999 Issue 21
View Issue
84 pages
About this Publication
Issues:
18Published:
1983–1999Publisher:
NDLocation:
Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.
About this Publication
Issues:
18Published:
1983–1999Publisher:
NDLocation:
Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.