ND 1983–1999

Dates

1983 1985 1986 1988 1989 1991 1992 1994 1995 1999

18 issues

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1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 Issue 2

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24 pages

1984 Issue 3

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36 pages

1985 Issue 4

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36 pages

1985 Issue 5

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32 pages

1986 Issue 6

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32 pages

1987 Issue 8

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44 pages

1987 Issue 9

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44 pages

1988 Issue 10

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52 pages

1989 Issue 12

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48 pages

1990 Issue 13

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44 pages

1991 Issue 14

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44 pages

1991 Issue 15

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48 pages

1992 Issue 16

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66 pages

1993 Issue 17

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76 pages

1994 Issue 18

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76 pages

1995 Issue 19

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76 pages

1997 Issue 20

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116 pages

1999 Issue 21

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84 pages

About this Publication

Issues:

18

Published:

1983–1999

Publisher:

ND

Location:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.

About this Publication

Issues:

18

Published:

1983–1999

Publisher:

ND

Location:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.