ND 1983–1999

日期

1983 1985 1986 1988 1989 1991 1992 1994 1995 1999

18 期刊

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1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 期刊 2

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24 页面

1984 期刊 3

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36 页面

1985 期刊 4

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36 页面

1985 期刊 5

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32 页面

1986 期刊 6

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32 页面

1987 期刊 8

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44 页面

1987 期刊 9

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44 页面

1988 期刊 10

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52 页面

1989 期刊 12

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48 页面

1990 期刊 13

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44 页面

1991 期刊 14

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44 页面

1991 期刊 15

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48 页面

1992 期刊 16

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66 页面

1993 期刊 17

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76 页面

1994 期刊 18

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76 页面

1995 期刊 19

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76 页面

1997 期刊 20

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116 页面

1999 期刊 21

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84 页面

关于本刊

期刊:

18

已发布:

1983–1999

出版商:

ND

位置:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.

关于本刊

期刊:

18

已发布:

1983–1999

出版商:

ND

位置:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.