ND 1983–1999

Date

1983 1985 1986 1988 1989 1991 1992 1994 1995 1999

18 edizioni

Salta 5 edizioni

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1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 Edizione 2

1984 Edizione 3

1985 Edizione 4

1985 Edizione 5

1986 Edizione 6

1987 Edizione 8

1987 Edizione 9

1988 Edizione 10

1989 Edizione 12

1990 Edizione 13

1991 Edizione 14

1991 Edizione 15

1992 Edizione 16

1993 Edizione 17

1994 Edizione 18

1995 Edizione 19

1997 Edizione 20

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116 pagine

1999 Edizione 21

Informazioni su questa pubblicazione

Edizioni:

18

Pubblicato:

1983–1999

Editore:

ND

Posizione:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.

Informazioni su questa pubblicazione

Edizioni:

18

Pubblicato:

1983–1999

Editore:

ND

Posizione:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.