ND 1983–1999

Fechas

1983 1985 1986 1988 1989 1991 1992 1994 1995 1999

18 ediciones

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1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 Edición 2

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24 páginas

1984 Edición 3

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36 páginas

1985 Edición 4

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36 páginas

1985 Edición 5

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32 páginas

1986 Edición 6

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32 páginas

1987 Edición 8

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44 páginas

1987 Edición 9

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44 páginas

1988 Edición 10

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52 páginas

1989 Edición 12

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48 páginas

1990 Edición 13

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44 páginas

1991 Edición 14

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44 páginas

1991 Edición 15

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48 páginas

1992 Edición 16

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66 páginas

1993 Edición 17

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76 páginas

1994 Edición 18

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76 páginas

1995 Edición 19

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76 páginas

1997 Edición 20

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116 páginas

1999 Edición 21

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84 páginas

Acerca de esta publicación

Ediciones:

18

Publicado:

1983–1999

Editorial:

ND

Ubicación:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.

Acerca de esta publicación

Ediciones:

18

Publicado:

1983–1999

Editorial:

ND

Ubicación:

Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.