ND 1983–1999
Fechas
1983
1985
1986
1988
1989
1991
1992
1994
1995
1999
18 ediciones
Saltar 5 ediciones
Ir al año
1983 #2

1984 #3

1985 #4

1985 #5

1986 #6

1987 #8

1987 #9

1988 #10

1989 #12

1990 #13

1991 #14

1991 #15

1992 #16

1993 #17

1994 #18

1995 #19

1997 #20

1999 #21

1983 Edición 2
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24 páginas
1984 Edición 3
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36 páginas
1985 Edición 4
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36 páginas
1985 Edición 5
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32 páginas
1986 Edición 6
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32 páginas
1987 Edición 8
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44 páginas
1987 Edición 9
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44 páginas
1988 Edición 10
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52 páginas
1989 Edición 12
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48 páginas
1990 Edición 13
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44 páginas
1991 Edición 14
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44 páginas
1991 Edición 15
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48 páginas
1992 Edición 16
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66 páginas
1993 Edición 17
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76 páginas
1994 Edición 18
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76 páginas
1995 Edición 19
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76 páginas
1997 Edición 20
Ver edición
116 páginas
1999 Edición 21
Ver edición
84 páginas
Acerca de esta publicación
Ediciones:
18Publicado:
1983–1999Editorial:
NDUbicación:
Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.
Acerca de esta publicación
Ediciones:
18Publicado:
1983–1999Editorial:
NDUbicación:
Austin, TX United States
Editor Daniel Plunkett was interested in cassette trading and mail art when he founded ND in 1982, imagining the publication as a place for artworks and information sent in by artists and musicians. Later issues also included extensive reviews and interviews with musicians and artists. Musically, the zine covered experimental, industrial, and noise–including groups like The Haters, Rhythm & Noise, and Vox Populi!–while articles also considered performance art by figures such as Paul McCarthy and John Duncan as well as experimental film. It started with 500 copies, later peaking at 3000 before it ceased publication after 21 issues in 1999. Issue seven was a cassette tape issue and issue 11 was a video issue. Plunkett now operates the End of an Ear record store in Austin, Texas.