Fluke 1991–2022
日期
1991
1993
1998
2008
2011
2013
2016
2018
2020
2022
20 期刊
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1991 #1

1992 #2

1993 #3

1995 #4

1998 #5

2005 #6

2008 #7

2010 #8

2011 #9

2012 #10

2013 #11

2015 #12

2016 #13

2017 #14

2018 #15

2019 #16

2020 #17

2020 #18

2021 #19

2022 #20

1991 期刊 1
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28 页面
1992 期刊 2
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28 页面
1993 期刊 3
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16 页面
1995 期刊 4
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28 页面
1998 期刊 5
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32 页面
2005 期刊 6
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28 页面
2008 期刊 7
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40 页面
2010 期刊 8
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68 页面
2011 期刊 9
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56 页面
2012 期刊 10
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32 页面
2013 期刊 11
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40 页面
2015 期刊 12
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76 页面
2016 期刊 13
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68 页面
2017 期刊 14
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48 页面
2018 期刊 15
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52 页面
2019 期刊 16
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32 页面
2020 期刊 17
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52 页面
2020 期刊 18
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56 页面
2021 期刊 19
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76 页面
2022 期刊 20
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64 页面
关于本刊
期刊:
20已发布:
1991–2022出版商:
FlukeFluke Fanzine
位置:
Little Rock, AK United States (1991–1993)Tucson, AZ United States (2005–2010)
Tempe, AZ United States (2011–2012)
The punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion”. Recent issues have also thematized topics such as outsider art and mail art.
关于本刊
期刊:
20已发布:
1991–2022出版商:
FlukeFluke Fanzine
位置:
Little Rock, AK United States (1991–1993)Tucson, AZ United States (2005–2010)
Tempe, AZ United States (2011–2012)
The punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion”. Recent issues have also thematized topics such as outsider art and mail art.