Fluke 1991–2020
Date
1991
1992
1993
2005
2008
2011
2020
7 edizioni
Salta 5 edizioni
Vai all'anno
1991 #1
1992 #2
1993 #3
2005 #6
2008 #7
2011 #9
2020 #17
1991 Edizione 1
Visualizza edizione
28 pagine
1992 Edizione 2
Visualizza edizione
28 pagine
1993 Edizione 3
Visualizza edizione
16 pagine
2005 Edizione 6
Visualizza edizione
28 pagine
2008 Edizione 7
Visualizza edizione
40 pagine
2011 Edizione 9
Visualizza edizione
56 pagine
2020 Edizione 17
Visualizza edizione
52 pagine
Informazioni su questa pubblicazione
Edizioni:
7Pubblicato:
1991–2020Editore:
FlukeFluke Fanzine
Posizione:
Little Rock, AK United States (1991–1993)Seattle, WA United States (1995–1998)
Tucson, AZ United States (2005–2010)
Tempe, AZ United States (2011–2012)
The punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion”. Recent issues have also thematized topics such as outsider art and mail art.
Informazioni su questa pubblicazione
Edizioni:
7Pubblicato:
1991–2020Editore:
FlukeFluke Fanzine
Posizione:
Little Rock, AK United States (1991–1993)Seattle, WA United States (1995–1998)
Tucson, AZ United States (2005–2010)
Tempe, AZ United States (2011–2012)
The punk fanzine Fluke started in 1991 in North Little Rock, Arkansas, cofounded by Steve Schmidt, Jason White, and Matthew Thompson. Schmidt later played guitar in the Chicago-based indie group Acquaintances, while White has played guitar for Greenday since 1999. Matthew Thompson, meanwhile, continues to edit the magazine. In a 2016 interview, he explained that Fluke mostly covered punk but reviewed hip hop albums: "We saw hip hop as punk rock, totally. Only the beat and demographic were different. Both were honest, in your face, youthful rebellion”. Recent issues have also thematized topics such as outsider art and mail art.