Nueva fuerza 1986–1993

日期

1986 1987 1988 1989 1990 1991 1992 1993

21 期刊

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1986 #1

1986 #2

1986 #3

1987 #4

1987 #5

1987 #6

1988 #7

1988 #8

1988 #9

1989 #1

1989 #2

1989 #3

1990 #4

1990 #5

1990 #6

1991 #7

1991 #8

1992 #10

1992 #10

1993 #11

1993 #11

1986 期刊 1

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8 页面

1986 期刊 2

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12 页面

1986 期刊 3

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12 页面

1987 期刊 4

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12 页面

1987 期刊 5

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12 页面

1987 期刊 6

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16 页面

1988 期刊 7

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8 页面

1988 期刊 8

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16 页面

1988 期刊 9

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16 页面

1989 期刊 1

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16 页面

1989 期刊 2

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16 页面

1989 期刊 3

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12 页面

1990 期刊 4

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18 页面

1990 期刊 5

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20 页面

1990 期刊 6

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20 页面

1991 期刊 7

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28 页面

1991 期刊 8

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36 页面

1992 期刊 10

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16 页面

1992 期刊 10

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28 页面

1993 期刊 11

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36 页面

1993 期刊 11

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12 页面

关于本刊

期刊:

21

已发布:

1986–1993

出版商:

Nueva fuerza

位置:

Colombia (1986–1988)
Medellín, Colombia (1989–1993)
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.

关于本刊

期刊:

21

已发布:

1986–1993

其他标题:

Visión rockera

出版商:

Nueva fuerza

位置:

Colombia (1986–1988)
Medellín, Colombia (1989–1993)
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.