Nueva fuerza 1986–1993
日期
1986
1987
1988
1989
1990
1991
1992
1993
21 期刊
跳过 5 期
前往年份
1986 #1

1986 #2

1986 #3

1987 #4

1987 #5

1987 #6

1988 #7

1988 #8

1988 #9

1989 #1

1989 #2

1989 #3

1990 #4

1990 #5

1990 #6

1991 #7

1991 #8

1992 #10

1992 #10

1993 #11

1993 #11

1986 期刊 1
查看期刊
8 页面
1986 期刊 2
查看期刊
12 页面
1986 期刊 3
查看期刊
12 页面
1987 期刊 4
查看期刊
12 页面
1987 期刊 5
查看期刊
12 页面
1987 期刊 6
查看期刊
16 页面
1988 期刊 7
查看期刊
8 页面
1988 期刊 8
查看期刊
16 页面
1988 期刊 9
查看期刊
16 页面
1989 期刊 1
查看期刊
16 页面
1989 期刊 2
查看期刊
16 页面
1989 期刊 3
查看期刊
12 页面
1990 期刊 4
查看期刊
18 页面
1990 期刊 5
查看期刊
20 页面
1990 期刊 6
查看期刊
20 页面
1991 期刊 7
查看期刊
28 页面
1991 期刊 8
查看期刊
36 页面
1992 期刊 10
查看期刊
16 页面
1992 期刊 10
查看期刊
28 页面
1993 期刊 11
查看期刊
36 页面
1993 期刊 11
查看期刊
12 页面
关于本刊
期刊:
21已发布:
1986–1993出版商:
Nueva fuerza位置:
Colombia (1986–1988)Medellín, Colombia (1989–1993)
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.
关于本刊
期刊:
21已发布:
1986–1993其他标题:
Visión rockera出版商:
Nueva fuerza位置:
Colombia (1986–1988)Medellín, Colombia (1989–1993)
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.