Nueva fuerza 1989–1993
Daten
1989
1990
1991
1992
1993
12 ausgaben
Springe 5 Ausgaben
Zum Jahr gehen
1989 #1
1989 #2
1989 #3
1990 #4
1990 #5
1990 #6
1991 #7
1991 #8
1992 #10
1992 #10
1993 #11
1993 #11
1989 Ausgabe 1
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16 Seiten
1989 Ausgabe 2
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16 Seiten
1989 Ausgabe 3
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12 Seiten
1990 Ausgabe 4
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18 Seiten
1990 Ausgabe 5
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20 Seiten
1990 Ausgabe 6
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20 Seiten
1991 Ausgabe 7
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28 Seiten
1991 Ausgabe 8
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36 Seiten
1992 Ausgabe 10
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16 Seiten
1992 Ausgabe 10
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28 Seiten
1993 Ausgabe 11
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36 Seiten
1993 Ausgabe 11
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12 Seiten
Über diese Publikation
Ausgaben:
12Veröffentlicht:
1989–1993Verlag:
Nueva FuerzaStandort:
Medellín, Colombia
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.
Über diese Publikation
Ausgaben:
12Veröffentlicht:
1989–1993Verlag:
Nueva FuerzaStandort:
Medellín, Colombia
Created by Yaneth Alzate as the sequel of the fanzine Visión rockera, also included in the RAPMM collection, Nueva fuerza aimed to document the hardcore metal punk scene in Colombia during the 1990s. Alzate focused on independent bands such as La Pestilencia, I.R.A., Athanator, and Masacre, which originated from the suburbs and marginalized areas of Bogotá and Medellín. Their lyrics addressed harsh realities and rejected the mainstream music industry. Nueva fuerza was produced in a homemade style and duplicated through photocopying. It featured interviews with both Colombian and foreign underground bands, comic strips, and articles that condemned issues like bullfighting and compulsory military service. The publication also had correspondents in other countries, including Mexico and Venezuela. In the supplement of its final issue, number 11, Alzate chronicled the history of rock in Medellín since the late 1960s.