Substitution 1990–1994

Dates

1990 1991 1993 1994

4 numéros

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1990 #1

1991 #2

1993 #3

1994 #4

1990 Numéro 1

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28 pages

1991 Numéro 2

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36 pages

1993 Numéro 3

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50 pages

1994 Numéro 4

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44 pages

À propos de cette publication

Numéros:

4

Publié:

1990–1994

Éditeur:

Sam Pederson and Anji Bee
Anji Bee

Emplacement:

San Pedro, CA United States (1990–1991)
Long Beach, CA United States (1993–1994)
Launched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.

À propos de cette publication

Numéros:

4

Publié:

1990–1994

Éditeur:

Sam Pederson and Anji Bee
Anji Bee

Emplacement:

San Pedro, CA United States (1990–1991)
Long Beach, CA United States (1993–1994)
Launched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.