Substitution 1990–1994
Dates
1990
1991
1993
1994
4 numéros
Sauter 5 numéros
Aller à l'année
1990 #1

1991 #2

1993 #3

1994 #4

1990 Numéro 1
Voir le numéro
28 pages
1991 Numéro 2
Voir le numéro
36 pages
1993 Numéro 3
Voir le numéro
50 pages
1994 Numéro 4
Voir le numéro
44 pages
À propos de cette publication
Numéros:
4Publié:
1990–1994Éditeur:
Sam Pederson and Anji BeeAnji Bee
Emplacement:
San Pedro, CA United States (1990–1991)Long Beach, CA United States (1993–1994)
Launched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.
À propos de cette publication
Numéros:
4Publié:
1990–1994Éditeur:
Sam Pederson and Anji BeeAnji Bee
Emplacement:
San Pedro, CA United States (1990–1991)Long Beach, CA United States (1993–1994)
Launched by Anji Lum (Anji Bee)--vocalist for Lovespirals and passionate zinestress--Substitution emerged as a vibrant exploration of the underground music scene in Los Angeles and Orange County. After completing her six-issue zine Positive influence (also part of RAPMM), Lum sought to delve into new venues and connect with diverse musicians and audiences. This innovative four-issue zine embraced a clean, modern aesthetic, reflecting its partially computerized origins in the early 1990s. Featuring articles on influential bands like Sonic Youth, insightful opinion columns, and reviews of records and shows, Substitution offered a fresh perspective on industrial and alternative music. With contributions from writers who expressed a range of sociopolitical viewpoints and artistic endeavors, Substitution blended music with art and culture. Lum also wrote the zines Descent and Desperation, included in RAPMM.