Propaganda 1982–2002

日期

1982 1984 1986 1988 1990 1992 1994 1996 1999 2002

26 期刊

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1982 #1

1983 #2

1984 #4

1985 #5

1986 #6

1986 #7

1986 #8

1987 #9

1988 #10

1989 #11

1989 #12

1990 #13

1990 #14

1990 #15

1991 #16

1991 #17

1992 #18

1992 #19

1993 #20

1994 #21

1995 #22

1996 #23

1998 #24

1999 #25

2001 #26

2002 #27

1982 期刊 1

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28 页面

1983 期刊 2

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36 页面

1984 期刊 4

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36 页面

1985 期刊 5

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40 页面

1986 期刊 6

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40 页面

1986 期刊 7

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40 页面

1986 期刊 8

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40 页面

1987 期刊 9

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44 页面

1988 期刊 10

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52 页面

1989 期刊 11

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40 页面

1989 期刊 12

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40 页面

1990 期刊 13

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44 页面

1990 期刊 14

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48 页面

1990 期刊 15

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48 页面

1991 期刊 16

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56 页面

1991 期刊 17

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48 页面

1992 期刊 18

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48 页面

1992 期刊 19

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56 页面

1993 期刊 20

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56 页面

1994 期刊 21

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48 页面

1995 期刊 22

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56 页面

1996 期刊 23

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56 页面

1998 期刊 24

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60 页面

1999 期刊 25

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72 页面

2001 期刊 26

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80 页面

2002 期刊 27

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100 页面

关于本刊

期刊:

26

已发布:

1982–2002

出版商:

Fred H. Berger

位置:

New Hyde Park, New York United States
Published during the 1980s and 1990s, Propaganda focused on all topics related to goth, including fashion, fetish gear, witchcraft, and literature, as well as music. Founded by the journalist and photographer Fred H. Berger in 1982, who was credited in some issues of the zine as “Propaganda Minister”, the zine included interviews with major musical artists, from Siouxsie and the Banshees to Bauhaus to The Cure, as well as with the American gothic novelist Anne Rice. Photographs, often taken by Berger, commonly featured androgynous young men and women in fetish gear. Given the number of alternative and underground genres associated with the goth aesthetic—ranging from industrial music and darkwave to neo-psychedelia and dream pop—Propaganda serves as a significant historical record of early alternative and indie music in general.

关于本刊

期刊:

26

已发布:

1982–2002

出版商:

Fred H. Berger

位置:

New Hyde Park, New York United States
Published during the 1980s and 1990s, Propaganda focused on all topics related to goth, including fashion, fetish gear, witchcraft, and literature, as well as music. Founded by the journalist and photographer Fred H. Berger in 1982, who was credited in some issues of the zine as “Propaganda Minister”, the zine included interviews with major musical artists, from Siouxsie and the Banshees to Bauhaus to The Cure, as well as with the American gothic novelist Anne Rice. Photographs, often taken by Berger, commonly featured androgynous young men and women in fetish gear. Given the number of alternative and underground genres associated with the goth aesthetic—ranging from industrial music and darkwave to neo-psychedelia and dream pop—Propaganda serves as a significant historical record of early alternative and indie music in general.