Bad trip 1992–1998
Dates
1992
1993
1994
1995
1996
1997
1998
13 numéros
Sauter 5 numéros
Aller à l'année
1992 #1

1993 #2

1993 #3

1994 #4

1994 #5

1994 #6

1995 #7

1995 #8

1995 #9

1996 #10

1997 #11

1998 #12

1998 #13

1992 Numéro 1
Voir le numéro
44 pages
1993 Numéro 2
Voir le numéro
56 pages
1993 Numéro 3
Voir le numéro
60 pages
1994 Numéro 4
Voir le numéro
62 pages
1994 Numéro 5
Voir le numéro
64 pages
1994 Numéro 6
Voir le numéro
64 pages
1995 Numéro 7
Voir le numéro
64 pages
1995 Numéro 8
Voir le numéro
60 pages
1995 Numéro 9
Voir le numéro
64 pages
1996 Numéro 10
Voir le numéro
68 pages
1997 Numéro 11
Voir le numéro
64 pages
1998 Numéro 12
Voir le numéro
64 pages
1998 Numéro 13
Voir le numéro
64 pages
À propos de cette publication
Numéros:
13Publié:
1992–1998Éditeur:
Bruce CieroEmplacement:
Atlanta, GA United States
Bad trip was an Atlanta-based punk, indie, and grunge zine active in the 1990s and early 2000s under the leadership of Bruce Ciero. The editor’s column in the first issue reads: “A lot of bands have more guts than ‘talent’. This little rag is about those bands, the ones that have the nerve and lack of vision to think they can make a difference in an indifferent world”. Combining passion for the music it covered with an iconoclastic attitude and edgy sense of humor, the zine also featured sex-industry advertisements and imagery that recalled the pin-up culture of the 1950s and 1960s. Bad trip is notable for its striking art, design, and illustrations, combining high contrast, black-and-white inked images with typewriter-produced text.
À propos de cette publication
Numéros:
13Publié:
1992–1998Éditeur:
Bruce CieroEmplacement:
Atlanta, GA United States
Bad trip was an Atlanta-based punk, indie, and grunge zine active in the 1990s and early 2000s under the leadership of Bruce Ciero. The editor’s column in the first issue reads: “A lot of bands have more guts than ‘talent’. This little rag is about those bands, the ones that have the nerve and lack of vision to think they can make a difference in an indifferent world”. Combining passion for the music it covered with an iconoclastic attitude and edgy sense of humor, the zine also featured sex-industry advertisements and imagery that recalled the pin-up culture of the 1950s and 1960s. Bad trip is notable for its striking art, design, and illustrations, combining high contrast, black-and-white inked images with typewriter-produced text.