Celluloid lunch 2019–2022

日期

2019 2020 2021 2022

7 期刊

跳过 5 期

前往年份

2019 #1

2019 #2

2020 #3

2020 #4

2021 #5

2021 #6

2022 #7

2019 期刊 1

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36 页面

2019 期刊 2

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48 页面

2020 期刊 3

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112 页面

2020 期刊 4

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116 页面

2021 期刊 5

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140 页面

2021 期刊 6

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140 页面

2022 期刊 7

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54 页面

关于本刊

期刊:

7

已发布:

2019–2022

出版商:

Joe Chamandy

位置:

Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.

关于本刊

期刊:

7

已发布:

2019–2022

出版商:

Joe Chamandy

位置:

Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.