Celluloid lunch 2019–2022
日期
2019
2020
2021
2022
7 期刊
跳过 5 期
前往年份
2019 #1

2019 #2

2020 #3

2020 #4

2021 #5

2021 #6

2022 #7

关于本刊
期刊:
7已发布:
2019–2022出版商:
Joe Chamandy位置:
Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.
关于本刊
期刊:
7已发布:
2019–2022出版商:
Joe Chamandy位置:
Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.