Reggae & African beat 1982–1983

Date

1982 1983

12 edizioni

Salta 5 edizioni

Vai all'anno

1982 v1 #2

1982 v1 #2

1982 v1 #3-4

1982 v1 #5

1982 v1 #6

1983 v2 #1

1983 v2 #2

1983 v2 #4

1983 v2 #5

1983 v2 #6

1983 v2 #7

1983 v2 #8

1982 Volume 1 Edizione 2

1982 Volume 1 Edizione 2

1982 Volume 1 Edizione 3-4

1982 Volume 1 Edizione 5

1982 Volume 1 Edizione 6

1983 Volume 2 Edizione 1

1983 Volume 2 Edizione 2

1983 Volume 2 Edizione 4

1983 Volume 2 Edizione 5

1983 Volume 2 Edizione 6

1983 Volume 2 Edizione 7

1983 Volume 2 Edizione 8

Informazioni su questa pubblicazione

Edizioni:

12

Pubblicato:

1982–1983

Editore:

Bongo Productions for KCRW, 89.9 FM
Bongo Productions

Posizione:

Santa Monica, CA United States (1982–1983)
Los Angeles, California United States (1983–1988)
Founded in 1981 by publisher and editor C.C. Smith and continuing until 2009, The beat described itself as “the world's leading publication on reggae, African, Caribbean and world music”. Originally a fanzine for the radio program The reggae beat (broadcast by KCRW-FM in Santa Monica, California), it progressed from a handmade publication to a major, glossy newsstand magazine available at many book stores and music outlets. This mirrored the increasing popularity and prominence of the genres it covered. The beat is valuable not only for its profiles and interviews of artists like Bob Marley, Burning Spear, Alton Ellis, and Miriam Makeba, but also as a source for tracking the application and interpretation of the “world music” label.

Informazioni su questa pubblicazione

Edizioni:

12

Pubblicato:

1982–1983

Altro titolo:

Reggae beat

Editore:

Bongo Productions for KCRW, 89.9 FM
Bongo Productions

Posizione:

Santa Monica, CA United States (1982–1983)
Los Angeles, California United States (1983–1988)
Founded in 1981 by publisher and editor C.C. Smith and continuing until 2009, The beat described itself as “the world's leading publication on reggae, African, Caribbean and world music”. Originally a fanzine for the radio program The reggae beat (broadcast by KCRW-FM in Santa Monica, California), it progressed from a handmade publication to a major, glossy newsstand magazine available at many book stores and music outlets. This mirrored the increasing popularity and prominence of the genres it covered. The beat is valuable not only for its profiles and interviews of artists like Bob Marley, Burning Spear, Alton Ellis, and Miriam Makeba, but also as a source for tracking the application and interpretation of the “world music” label.