Cool beans 1994–2003
Fechas
1994
1995
1996
1997
1998
1999
2000
2001
2003
12 ediciones
Saltar 5 ediciones
Ir al año
1994 #4

1995 #5

1996 #6

1997 #7

1998 #8

1998 #9

1999 #10

1999 #11

2000 #12

2000 #13

2001 #14

2003 #15

1994 Edición 4
Ver edición
72 páginas
1995 Edición 5
Ver edición
60 páginas
1996 Edición 6
Ver edición
60 páginas
1997 Edición 7
Ver edición
56 páginas
1998 Edición 8
Ver edición
68 páginas
1998 Edición 9
Ver edición
68 páginas
1999 Edición 10
Ver edición
68 páginas
1999 Edición 11
Ver edición
92 páginas
2000 Edición 12
Ver edición
68 páginas
2000 Edición 13
Ver edición
68 páginas
2001 Edición 14
Ver edición
68 páginas
2003 Edición 15
Ver edición
68 páginas
Acerca de esta publicación
Ediciones:
12Publicado:
1994–2003Editorial:
Matt KellyUbicación:
San Francisco, CA United States
The West Coast-based (San Francisco and later Portland) indie, punk, and alternative rock zine Cool beans was launched in 1993 by the zine editor and producer Matt Kelly. Cool beans spawned an eponymous label that released records by less known avant-rock bands like Deerhoof, Danny & the Nightmares, and Rhythm Pigs. Each issue revolved around a pre-selected theme for its feature articles, such as drinking and driving in the United States, food and cooking, and bikes in San Francisco, in addition to pieces adhering to more standard music publication formats centered around band profiles, interviews, and record reviews. Each issue included a compilation CD.
Acerca de esta publicación
Ediciones:
12Publicado:
1994–2003Editorial:
Matt KellyUbicación:
San Francisco, CA United States
The West Coast-based (San Francisco and later Portland) indie, punk, and alternative rock zine Cool beans was launched in 1993 by the zine editor and producer Matt Kelly. Cool beans spawned an eponymous label that released records by less known avant-rock bands like Deerhoof, Danny & the Nightmares, and Rhythm Pigs. Each issue revolved around a pre-selected theme for its feature articles, such as drinking and driving in the United States, food and cooking, and bikes in San Francisco, in addition to pieces adhering to more standard music publication formats centered around band profiles, interviews, and record reviews. Each issue included a compilation CD.