Editorial del futuro método 1982
Fechas
1982
8 ediciones
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1982 #1

1982 #2

1982 #3

1982 #4

1982 #5

1982 #6

1982 #7

1982 #8

1982 Edición 1
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24 páginas
1982 Edición 2
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28 páginas
1982 Edición 3
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32 páginas
1982 Edición 4
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32 páginas
1982 Edición 5
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36 páginas
1982 Edición 6
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36 páginas
1982 Edición 7
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36 páginas
1982 Edición 8
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32 páginas
Acerca de esta publicación
Ediciones:
8Publicado:
1982Ubicación:
Spain
Editorial del futuro método, which started in 1982, was one of the earliest Spanish fanzines to emerge after the explosion of comic zines, alongside with other early fanzine publications such as Estricnina (also part of the RAPMM collection).Written by the multifaceted Juan Vitoria Valle–a writer, music critic, DJ, and radio host, who also owns the iconic record store Amsterdam–this fanzine was a cornerstone of La Movida Valenciana, the cultural and musical phenomenon that emerged in the early 1980s in Valencia, Spain. It was a time of artistic explosion at the national level after the end of the Franco era, and in Valencia it led to the birth of iconic pop rock bands across diverse styles. Editorial del futuro método always opposed mainstream media, amplifying the voices and sounds of the underground. Its pages celebrated the pioneering bands of La Movida Valenciana, such as Glamour, Esgrima, Fanzine, Europa, Última Emoción, and Ceremonia, while also exploring the British and Madrid-based bands that inspired them.
Acerca de esta publicación
Ediciones:
8Publicado:
1982Ubicación:
Spain
Editorial del futuro método, which started in 1982, was one of the earliest Spanish fanzines to emerge after the explosion of comic zines, alongside with other early fanzine publications such as Estricnina (also part of the RAPMM collection).Written by the multifaceted Juan Vitoria Valle–a writer, music critic, DJ, and radio host, who also owns the iconic record store Amsterdam–this fanzine was a cornerstone of La Movida Valenciana, the cultural and musical phenomenon that emerged in the early 1980s in Valencia, Spain. It was a time of artistic explosion at the national level after the end of the Franco era, and in Valencia it led to the birth of iconic pop rock bands across diverse styles. Editorial del futuro método always opposed mainstream media, amplifying the voices and sounds of the underground. Its pages celebrated the pioneering bands of La Movida Valenciana, such as Glamour, Esgrima, Fanzine, Europa, Última Emoción, and Ceremonia, while also exploring the British and Madrid-based bands that inspired them.