Celluloid lunch 2019–2022

Dates

2019 2020 2021 2022

7 issues

Jump 5 issues

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2019 #1

2019 #2

2020 #3

2020 #4

2021 #5

2021 #6

2022 #7

2019 Issue 1

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36 pages

2019 Issue 2

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48 pages

2020 Issue 3

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112 pages

2020 Issue 4

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116 pages

2021 Issue 5

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140 pages

2021 Issue 6

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140 pages

2022 Issue 7

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54 pages

About this Publication

Issues:

7

Published:

2019–2022

Publisher:

Joe Chamandy

Location:

Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.

About this Publication

Issues:

7

Published:

2019–2022

Publisher:

Joe Chamandy

Location:

Montreal, Canada
During the COVID-19 pandemic, Montreal-based editor Joe Chamandy launched his fanzine Celluloid lunch, dedicated to the “sub underground racket”. While issues one and two featured long-form interviews with underground rock artists and bands created using a typewriter and photocopy regimen, starting with issue three Celluloid lunch transformed into a publication that included interviews, reviews, comics, travel writing, and other “fuckery” contributed by talented writers. Each issue of Celluloid lunch reflects a labor of love. In the editorial of issue five, Chamandy shared that as part of the pandemic-driven creative boom, he started a record label and distro under the same name, Celluloid Lunch Records.