Interrobang?! 1994–2014

Dates

1994 1996 2000 2014

4 issues

Jump 5 issues

Go to year

1994 #2

1996 #3

2000 #4

2014 #6

1994 Issue 2

View Issue

16 pages

1996 Issue 3

View Issue

28 pages

2000 Issue 4

View Issue

39 pages

2014 Issue 6

View Issue

4 pages

About this Publication

Issues:

4

Published:

1994–2014

Publisher:

Decomposition

Location:

San Francisco, United States
Created by Sharon Cheslow, a pioneering figure in the punk scene and an accomplished multi-disciplinary artist, Interrobang?! was a groundbreaking fanzine that explored the diverse realms of punk and sound art. The inaugural issue featured an insightful interview with the Washington, D.C. punk band Nation of Ulysses. In the second issue, Cheslow presented a comprehensive list of women in punk from 1975 to 1980, aiming to highlight the often underrecognized contributions of women during the early punk era, just before the more male-dominated hardcore scene of the 1980s emerged. Cheslow designed issues 4 and 5 as anthologies, featuring contributions from notable figures such as Cynthia Connolly, a photographer of punk culture; Marc Kate, a musician and electronic artist from I Am Spoonbender; Ian MacKaye, a punk rock pioneer and co-founder of Dischord Records; Pauline Oliveros, an experimental composer; Maggi Payne, a composer and sound artist; Niko Wenner, the guitarist for Oxbow; and Allison Wolfe, a punk musician from Bratmobile and feminist activist. In issue 4, the authors delved into sound as a transcendent art form, focusing on the mental state induced by how listeners perceive music and the transformative experience they undergo when engaging with sound. In issue 5, they explored the intricate relationship between music and family.

About this Publication

Issues:

4

Published:

1994–2014

Publisher:

Decomposition

Location:

San Francisco, United States
Created by Sharon Cheslow, a pioneering figure in the punk scene and an accomplished multi-disciplinary artist, Interrobang?! was a groundbreaking fanzine that explored the diverse realms of punk and sound art. The inaugural issue featured an insightful interview with the Washington, D.C. punk band Nation of Ulysses. In the second issue, Cheslow presented a comprehensive list of women in punk from 1975 to 1980, aiming to highlight the often underrecognized contributions of women during the early punk era, just before the more male-dominated hardcore scene of the 1980s emerged. Cheslow designed issues 4 and 5 as anthologies, featuring contributions from notable figures such as Cynthia Connolly, a photographer of punk culture; Marc Kate, a musician and electronic artist from I Am Spoonbender; Ian MacKaye, a punk rock pioneer and co-founder of Dischord Records; Pauline Oliveros, an experimental composer; Maggi Payne, a composer and sound artist; Niko Wenner, the guitarist for Oxbow; and Allison Wolfe, a punk musician from Bratmobile and feminist activist. In issue 4, the authors delved into sound as a transcendent art form, focusing on the mental state induced by how listeners perceive music and the transformative experience they undergo when engaging with sound. In issue 5, they explored the intricate relationship between music and family.